4 Ways to Stay Calm When You’re Stressed: This Life Advice Will Change Your Future
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- Read time
- ~5 min
- Uploaded
- 18 Mar 2024
- Duration
- 1:01:22
- Views
- 92.7K
KEYPOINTS
- 01
When someone you love freezes on an opportunity, it's usually fear, not lack of desire.
Mel's 23-year-old daughter Kendall, a singer-songwriter, got an invitation to perform at Carnegie Hall seven days later and left it unanswered for 24 hours. Mel was baffled and getting angry. When they finally talked, Kendall said she felt unworthy and unready, and worried about what friends who had worked just as hard would think. Mel's takeaway: intellectually the hesitation makes no sense, but the person you love is living in their emotions, not their intellect.
- 02
We get frustrated because we can see someone's potential.
Mel compares it to a partner who says he needs a new job and is still in his boxers eating a waffle at 9:45 on a Wednesday, while you angrily wash the dishes. You get mad because you believe in them. She points out that the people who love you probably see things you say you want but aren't working on either.
- 03
Pressure backfires; confusion opens things up.
Telling someone what to do is the fastest way to get them to do the opposite. Mel suggests starting with 'I'm confused', which puts the focus on you and gently points out the gap between what they said they wanted and what they're doing. For example: 'I heard you say you wanted to lose 40 pounds, and I'm confused because I haven't seen you exercising. Do you need support?'
- 04
Expect defensiveness first, then the truth.
After you say 'I'm confused', Mel warns that the fear will come out first: excuses, 'I'm busy', 'how dare you'. Kendall even accused Mel of wanting it more than she did. Keep saying 'anything else?' until the real answer comes out. Usually they know what they want but are scared, or they don't know how to start.
- 05
Lesson 1: 'It's not that deep.'
When someone is in the emotional deep end, these four words, which Mel learned from Kendall, lower the stakes. The phrase also reminded Mel that it was Kendall's decision: if she didn't want to go, there would be other opportunities. Mel applies it to job hunting ('it's just a resume, it's just an interview') and to dating, so you stay clear-headed instead of freezing or blowing the opportunity.
- 06
Lesson 2: don't underestimate a good scream.
Mel encourages letting pent-up tension out instead of holding it together: in the car, a bathroom stall, into a pillow or in the front yard. She cites Dr. Brian Bruno, medical director of Mid City TMS in New York. He writes that the relief after a big scream or cry may come from endorphins and peptides that reduce pain and stress, and that screaming releases muscle tension from bottled-up emotion. Mel notes that researchers are still speculating about why it works.
- 07
Lesson 3: give someone your pants.
Mel's third lesson comes from a stranger's generosity backstage. Her point is that it wasn't really about the pants. She asks what life would look like if your possessions were things to lend and give to lift others up, rather than just to own.
- 08
Lesson 4: if you want a core memory, don't try to film it.
You can't be present to your phone and to your life at the same time. Mel's advice is to stop trying to capture everything, or you'll miss actually experiencing it.
EXAMPLES
- 01
How the invitation came about
A year earlier, Kendall had met musicians at the Newport Folk Festival and kept in touch. One invited her to the annual Piano Recital at Carnegie Hall, where artists including Mandy Moore, whom Kendall calls her 'musical mom', perform two original songs with only a piano. Her mentor Phil Cook had already arranged her single 'Pastime' for piano and offered to accompany her. Once Mel said 'it's not that deep', pointing out that it's an auditorium at 57th and Sixth, she'd been performing for 15 years and her mentor would be beside her, Kendall laughed and said yes.
- 02
The sprint around Carnegie Hall
On the day, Kendall's surprise visitors (her 86-year-old grandmother, who had flown in from Florida, and the grandmother's 85-year-old boyfriend) were in tow. Her pre-show anxiety kicked in: she couldn't find her water, lipstick or the right pants. Insisting 'I have the information', she speed-walked the wrong way, and she and Mel circled the whole block, arriving back at the stage door next to their hotel at 4:13 for a 4:15 call.
- 03
The scream in the elevator
Inside, Kendall pressed 2, but the elevator went down to the basement. She dropped her head into her hands, then put her fists at her sides and let out a bloodcurdling scream. Mel expected her to cry, but Kendall immediately regained her composure. A breathless staff member who had come running at the basement said it 'happens all the time in here'. When the doors opened on the second floor, Kendall walked out calm.
- 04
Leanne Ford's 'traveling pants'
At the sound check, Mel complimented a woman's black high-waisted pants that flared out like a ball gown. She had owned them for 20 years, the tag long gone, and friends around the world had borrowed them. Kendall mentioned she wished she had something that fabulous to wear. Hours later the woman, interior designer Leanne Ford, changed at her hotel, came back and gave Kendall the pants with a note, saying to mail them back 'when you're ready'. In a message afterwards, Ford said what she would remember most was watching Mel's joy as a mother, and that she hoped to give her own daughter the same light.
- 05
Filming the railing
Warned that Carnegie Hall ejects people who film, Mel practised hiding her phone in a trench coat with her elbows tucked in. When Kendall started singing, Mel leaned forward into the moment and only afterwards found she had recorded the railing in front of her. She says she's glad, because she was fully present for the performance.
OTHER RELEVANT
- 01
Use the 'I'm confused' script
Say: 'I heard you say you want X. I'm confused, because I don't see you doing Y. Do you need help?' Then let them vent and keep asking 'anything else?' until the real fear or block comes out.
- 02
Say 'it's not that deep' to yourself
When a resume, interview, date or performance starts to feel enormous, name the plain facts of the situation. Lowering the stakes keeps you moving and thinking clearly.
- 03
Give yourself a release valve
Whether it's a scream, a cry, a sigh or a hug, let the pressure out instead of bottling it. Mel sees it as taking control, not losing it.
- 04
Lend what you have
Look for small ways your belongings, time or connections could lift someone up in a big moment. Mel's view is that generosity like this matters more than the object itself.